
Foreword by Dan Denton. Edited by Ezhno Martin.
“In the middle of all the fucked-up things going on in this crazy fucking world, Michele McDannold is still fighting to keep love and hope alive, in her own way, by writing poetry that turns the fuckery into poems of observation and prayer. You can hear the weariness between each line. Smell the hot, moist breath on the desperate primal screams of “why am I the only one that sees this shit?” The cries of “this is fucked. Let’s do something.” The prayers born of a stubborn refusal to give up on love, no matter how many times it has left us bloody and raw.”(from the foreword; By Plane, Train or Coincidence) – Dan Denton, author of $100-A-Week Motel

(by Michael D. Grover)
What can I say about Michele McDannold? I’d probably be biased. She just helps other writers do their thing. Selfless as she needs to be.
I first met Michele over a decade ago. She hired me to be the Poetry Editor at Red Fez. We really met face to face in Toledo, Ohio when we organized a marathon Poetry festival in the six hundred seat theater in the crazy arts center where I used to live.
So we’ve established the fact that I’ve known Michele a long time. Now to the chapbook. I have to say this is easy to pick up, and hard to put down until you’re all the way through it.
I have to say this is Michele as I have never seen her before. Vulnerable, this is a book of love Poems. Raw emotion like exposed nerves.
She walks it like she has learned all these years. Very little wasted motion or breath. I would recommend this to Poets at any level. Please strap yourselves in and enjoy the journey into the space time continuum.
Point of Departure
–thirty-three new poems–
by Michele McDannold
is now available from
COCKLEBUR PRESS!
Purchase a signed copy from Magical Jeep Distributing
Michele McDannold’s ‘Stealing the Midnight from a Handful of Days’ is the recollection of a young women for whom each moment, breath, event of the day is trapped in memory. She greets sin as common, sorrow as an ally and joy as a mishap. Her poems are elegant in the telling of her innocence. It isn’t that she hasn’t seen the dark side, or been touched in undeserving ways. She has. Somehow she has embraced these moments, allowed herself to dream big and has stepped beyond the constraints of a mid-west up-bringing. Michele’s poems come from those deep places, where secrets hide and she writes them with a fearless heart. –Bill Gainer, author The Mysterious Book of Old Man Poems